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Keith Haring
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring's work was often heavily political and his imagery has become a widely recognized visual language of the 20th century.
==Early life and education==
Keith Haring was born in Reading, Pennsylvania, on May 4, 1958. He was raised in Kutztown, Pennsylvania, by his mother Joanne Haring, and father Allen Haring, an engineer and amateur cartoonist. He had three younger sisters, Kay, Karen and Kristen.〔 Haring became interested in art at a very early age spending time with his father producing creative drawings. His early influences included: Walt Disney cartoons, Dr. Seuss, Charles Schulz, and the Looney Tunes characters in ''The Bugs Bunny Show''.〔 He studied commercial art from 1976 to 1978 at Pittsburgh's Ivy School of Professional Art but lost interest in it.〔 He made this decision having read Robert Henri's ''The Art Spirit'' (1923) which inspired him to concentrate on his own art.〔
Haring had a maintenance job at the Pittsburgh Center for the Arts (then the Pittsburgh Arts and Crafts Center) and was able to explore the art of Jean Dubuffet, Jackson Pollock, and Mark Tobey. His most critical influences at this time were a 1977 retrospective of the work of Pierre Alechinsky, and a lecture by the sculptor, Christo, in 1978. Alechinsky's work, connected to the international Expressionist group CoBrA, gave Haring confidence to create larger paintings of calligraphic images. Christo introduced him to the possibilities of involving the public with his art. Haring's first important oneman exhibition was in Pittsburgh at the Center for the Arts in 1978.〔
He moved to New York to study painting at the School of Visual Arts. He studied semiotics with Bill Beckley as well as exploring the possibilities of video and performance art. Profoundly influenced at this time by the writings of William Burroughs, he was inspired to experiment with the cross-referencing and interconnection of images.〔 In his junior/senior year, he was behind on credits, because his professors could not give him credit for the very loose artwork he was doing with themes of social activism.
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